We
visited many boardwalks: Coney Island, Sandy Hook, Asbury Park,
Atlantic City, The Wildwoods. As soon as we saw our first one I
banned Kay from singing the song out loud - yes, that song, you
know which one I mean - because I knew I'd never be able to get
it out of my head.
Every pleasure can be found on the boardwalk: gigantic casinos and
bizarre funfair rides; water parks; huge buckets of curly fries,
funnel cake, saltwater taffy and the omnipresent lemonade; t-shirts
with kitten decals, underwear that reads "Tommy's Bitch"; hermit
crabs with painted shells, stinking iguanas, plastic snowstorms.
Nothing is denied, everything is bright, all lit up with a million
electric lightbulbs to the sound of coins falling in slots and electronic
jingles for the winners.
At Coney Island we saw a woman wearing the clothes of an orthodox
believer. She had her top pulled up and had tucked it under her
breasts. Her big white belly stuck out like a moon on a sunny day.
By the amusement park there's a mural for 'The Warriors,' one of
my favourite gang films of all time. I repeat "Warriors - come out
to play-hee-ay" a few times, just for the fun of it. Kay and
I marvel at the way that monuments are built in America. 'The Warriors'
depicts Coney Island as a dirty old, fucked up, out of season wasteland,
the backdrop to a gang war between hundreds of good-for-nothing
layabouts. In America this doesn't seem to matter, what matters
is that Coney Island gets a big namecheck in an obscure cult film.
On the road to Asbury Park we were surprised to see huge extravagant
mansions lining the way. "I thought Bruce Springsteen Land was all
about the blue collar," I mumbled to Kay, "I'm confused. Could he
have been faking it all along?" By the time we got to Asbury Park
proper, I realised that he'd been faking nothing. This seaside resort
epitomises the expression "run down to the ground." We parked up
near to a crane whose wrecking ball was demolishing the last sorry
signs of an ancient amusement park. Beautiful copper-embellished
concert halls and exhibition halls were scheduled to go next, no
doubt to be replaced by scores of ugly new holiday flats. The Stone
Pony's still there though. For now.
If your feets gets tireds there're always better ways to get around
a boardwalk than by boring old walking. Two dollars buys you a trip
on the Boardwalk Sightseer in Wildwood, a little motorised train
that nips your backside as it zips past, making you leap out of
the way with shock. Transport is more of an old fashioned affair
at Atlantic City. For five bucks you can get a man to push you and
your family around in a wicker rolling chair. Don't worry about
your pusher's sore feet, or the heat they have to work in, or the
racial divide between white patrons and black pushers. Just ride
to the next casino, baby.
Boardwalk fun can be a twisted, horrible, violent kind of fun. Topsy
the elephant was never far from my mind. At Wildwood a sign
goaded holidaymakers to Wack the Iraq, it had obviously been erected
by people who cared more for a stupid rhyme than for grammatical
accuracy, but still, there it was. Outside sat sorry-looking mannequins
of Osama and Saddam. Inside the people that worked the stall all
wore t-shirts decorated with patriotic flags and slogans. Kay and
I suppressed the urge to scream and bawl and vomit and explode with
rage, and we just took a photograph and walked on.
And then, after a couple of hundred miles in ninety-degree heat,
the whole of America started to look to me like one long boardwalk.
Atlantic
City Historical Museum
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