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Where Has
Eternity Gone is the name of a documentary by Barney Snow. In
the film Snow visits Gerald and Linda Polley, two people who live
on the margins in a North Dakota trailer-park. Along with their
friend Jesse, the Polleys believe that they are benign visitors
from another planet who are on a mission to save heaven and earth.
Pre 9/11, the Polleys consider Al Gore as a force of evil and campaign
against him in the run-up to the 2001 presidential election. The
film follows their activities.
Linda contributes some of the most poignant moments of the film
with her beautiful songs written not by her but channelled, she
says, through the spirit of John Lennon.
Where Has Eternity Gone is a lovely, funny and thoughtful film.
Barney Snow told me some more stuff about it:
How did you find the Polleys? What attracted you to their story?
It started when a friend of mine was diagnosed with paranoid schizophrenia.
One aspect of his behaviour was that he believed he was John Lennon,
and grew his beard and assumed the Lennon look circa 1969. Later
on he recovered and has returned to normal life. He was probably
misdiagnosed as it turns out. On his travels during his wayward
years, he discovered others who thought they were Lennon. We planned
to do a film about this, but the Polleys came up through a search
he did. They didn't interest him as such, but I suddenly thought
there might be something in it and took a chance. I spoke to them
briefly over the phone, and was interested that they had their election
campaign running. It sounded like it was worth taking the risk -
the worst that would happen would be that I would spend a few days
in Fargo and have to find something else to do.
Are they really such unusual people, or do you think folks like
them are the bedrock of America?
I would imagine that they are unusual, but I believe that America
creates people like the Polleys. One of my favourite filmmakers,
Werner Herzog, once spoke about how funny he found it that the Americans
travel all over the world looking for exotic people and places -
but they don't realise that they are the most exotic people on earth.
The Polleys are an example of this form of exoticism. The Polleys
are isolated and poor and have been made to feel like weirdo outsiders.
But, like true Americans, they are optimists and I believe that
they've created their own reality out of the melange of sci-fi,
religion, literature and so on that the culture produces. I've never
felt comfortable giving an opinion on their mental state, but many
people say they are severely delusional. I like to celebrate them
as inspired artists. Not forgetting Jesse of course. But in general,
yes, I would say they are an all American product.
So, um, is heaven going to end, or has Jesus gone back? Were
the negotiations between the Polleys and Jesus successful?
Heaven is continually in crisis. Jesus did come back but there is
always something else, something evil that needs the attention of
the members of the afterlife to prevent disaster on earth. The Polleys
have always got the vital role of holding heaven and earth together
in a sort of shaky truce.
How do the Polleys, and their friend Jesse, rationalise the fact
that a Lot of people think they are mad?
They just think that other people can think what they like. I didn't
push it endlessly with them.
You said that you worry some people might think the film is exploitative,
what do you have to say to them?
At the first screening, somebody in the audience likened it to a
c.19th freak show. It differs in that the film doesn't ask people
to gawp, it asks the audience to try taking the Polleys on their
level, then you can ask questions of yourself, the nature of belief
and so on. Some of it is amusing, but I defend that as well. Are
people with strange beliefs to be treated with a sort of hushed
reverence? And are they to be hidden away? No, it may make a viewer
feel uncomfortable, but that's fine isn't it? Many TV documentaries
today assume a moral position silently. They worry that the viewer
will turn over if their world-view is not confirmed. I believe that
more films should be made outside parameters of so-called taste,
decency and moral certitude.
Where can people see Where Has Eternity Gone?
Other than at film festivals, I'm not so sure. TV so far, hasn't
been interested. I can sell people copies if they e-mail me.
What are you working on now?
I'm about to do two Channel 4 half hour documentaries. They're not
mine, I'm a hired hand. My next independent film is still in my
head.
Is there anything else you'd like to say?
I hope there's a revolution in the way that people get to see films,
and that TV ceases to be the dominant force, but becomes one of
several different means of viewing films. This way you'll get different
voices coming through. I don't want to bite the hand that feeds
me, but I think it would be healthier all round.
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